CURRENTLY ON VIEW
RISD BFA Graphic Design thesis

2024

(Multimedia)

This thesis is centered on critiquing design in the age of hyper-legibility and noise with a question “What is perfect design?” My intentions are cloaked under the third person fiction story Tower of Babylon written by Ted Chiang about this protagonist Hillalum who tries to go up the biblical tower to reach heaven (in a flat-earth setting of course). Yet, the final plot twist is that whenever people of this world reach heaven, they’re back at ground level again—revealing a world that folds into itself like a cylindrical seal. In lamenting Hillalum’s journey, it is drawn in analogy to the designer’s journey to tell the full story or present the perfect design—our version of heaven.


This thesis contains 5 books
that will tell the story 5 times. It goes from the 1st book that retells the story in Hillalum’s first person perspective with everything materialized such as sprinkling the spread with soil as he walks past a grass field or brand the construction company to the 5th book where there will be only one page of content that allows the audience to tap their phone to access a website to complete the book by scrolling to randomize all the pages of contents from the previous 4 book. All 5 books look identical from the outside (pages are left empty whenever content shrinks) to make obvious the process of design—and to see information never being lost in any of the books but simply asks the audience to look for them and engage with critical imagination. In James Goggin’s words from the interview, “generous ambiguity.”




and a newsprint giveaway
that is split in half - with the top sticking to the world building of the protagonist’s failure to reach heaven while the bottom half features an analogous description to the critique of perfect design. The zine opens up to interview with the fictional character Hillalum as well as the New Zealand based graphic designer James Goggin.





CURRENTLY ON VIEW 
RISD Graphic Design BFA Thesis

2024

This thesis is centered on critiquing design in the age of hyper-legibility and noise with a question “What is perfect design?” My intentions are cloaked under the third person fiction story Tower of Babylon written by Ted Chiang about this protagonist Hillalum who tries to go up the biblical tower to reach heaven (in a flat-earth setting of course). Yet, the final plot twist is that whenever people of this world reach heaven, they’re back at ground level again—revealing a world that folds into itself like a cylindrical seal. In lamenting Hillalum’s journey, it is drawn in analogy to the designer’s journey to tell the full story or present the perfect design—our version of heaven.


This thesis contains 5 books
that will tell the story 5 times. It goes from the 1st book that retells the story in Hillalum’s first person perspective with everything materialized such as sprinkling the spread with soil as he walks past a grass field or brand the construction company to the 5th book where there will be only one page of content that allows the audience to tap their phone to access a website to complete the book by scrolling to randomize all the pages of contents from the previous 4 book. All 5 books look identical from the outside (pages are left empty whenever content shrinks) to make obvious the process of design—and to see information never being lost in any of the books but simply asks the audience to look for them and engage with critical imagination. In James Goggin’s words from the interview, “generous ambiguity.”




and a newsprint giveaway
that is split in half - with the top sticking to the world building of the protagonist’s failure to reach heaven while the bottom half features an analogous description to the critique of perfect design. The zine opens up to interview with the fictional character Hillalum as well as the New Zealand based graphic designer James Goggin.






NEWSPRINT GIVEAWAY
Analogous to how the fiction story of reaching heaven juxtaposed to reaching perfect design, the newsprint folds out to the top part fabricated from the fictional world including an interview with the main character while the bottom part is a reveal of the thesis with the interview with a designer in practice (Practise) James Goggin.


To present perfection in a way that invites you to question it.
Approaching perfection from one angle, I’m presenting my project in the tone of perfect objectivity. It’s a forensic scene, where design is dissected down to basic forms to make obvious the mechanisms of this committed crime in claiming its authority over perfect design.










THESIS ADVISED BY


COULD NOT BEEN
POSSIBLE WITHOUT

James Goggin
Kenneth Berger
Laura Coombs
Leah Beeferman
Nicholas Konrad
Tiger Dingsun
Jenny Yu

NOTES

Looking back at my 4 years in college, outside of the list of names who helped me significantly throughout the project, there are people who remain special and have ceaselessly remapped the way I stay critical of design inside and out of school. I’m forever grateful of Robert Canfield for teaching me how to question since freshman year, Elizabeth Goodspeed for shedding light onto graphic design for me, and Caleb Halter for bringing so much joy into a job. 


ADDITIONAL
APPRECIATION

Hammett Nurosi
Mariela Yeregui
Mehek Vohra
Nick Larson
Rebecca Wilkinson
Robert Canfield
Doug Scott

TECHNICAL SUPPORT

Standing ovation to Ed Brown and Julia Gualtieri for help on printing and binding but also the 128731924 printing questions I had back in college.

Mohawk eggshell 80 Text Fine
from Paperworks, Providence, RI


FRIENDS

Emotional support from JELP-C / LOTS of programming help from Jenny Yu (Brown’24) / Emergency aid from Helen Peng, Ivy Zhang, and Mehek Vohra when I spilled glue over these hand bound books a week before my presentation / Chanya Vitayakul’s help with NFC tags

SELECTED
TYPEFACES

Fern Micro
Golden Eye
Job Clarendon
Kingthings Italique
Suisse Int’l
Roman Antique


TO PRESENT PERFECTION IN A WAY THAT INVITES YOU TO QUESTION IT

Approaching the concept of perfection through one of the many interpretations, perfect objectivity. It’s a forensic scene, where design is dissected down to basic forms where mechanisms of this committed crime is taken apart piece by piece.



THESIS ADVISED BY


COULD NOT BEEN
POSSIBLE WITHOUT

James Goggin
Kenneth Berger
Laura Coombs
Leah Beeferman
Nicholas Konrad
Tiger Dingsun
Jenny Yu

NOTES

Looking back at my 4 years in college, outside of the list of names who helped me significantly throughout the project, there are people who remain special and have ceaselessly remapped the way I stay critical of design inside and out of school. I’m forever grateful of Robert Canfield for teaching me how to question since freshman year, Elizabeth Goodspeed for shedding light onto graphic design for me, and Caleb Halter for bringing so much joy into a job.


ADDITIONAL
APPRECIATION

Hammett Nurosi
Mariela Yeregui
Mehek Vohra
Nick Larson
Rebecca Wilkinson
Robert Canfield
Doug Scott

TECHNICAL SUPPORT

Standing ovation to Ed Brown and Julia Gualtieri
for help on printing and binding but also the 128731924 printing questions I had back in college.

Mohawk eggshell 80 Text Fine
from Paperworks, Providence, RI


FRIENDS

Emotional support from JELP-C / LOTS of programming help from Jenny Yu (Brown’24) / Emergency aid from Helen Peng, Ivy Zhang, and Mehek Vohra when I spilled glue over these hand bound books a week before my presentation / Chanya Vitayakul’s help with NFC tagss 

SELECTED
TYPEFACES

Fern Micro
Golden Eye
Job Clarendon
Kingthings Italique
Suisse Int’l
Roman Antique